Ingrid Carbone

Professional Portfolio

About

I’m a classical pianist and a mathematician.
Mathematics in more than a hobby for me: I’m assistant professor of Mathematics at university. For many years I had the feeling to live a double life or, more precisely, two parallel lives, being musician “or” mathematician. But I was wrong: it was during my tournée in China in 2019 that I realized how my music was benefiting from teaching mathematics, doing research and giving conferences during international meeting.
For my China tour I was asked to give piano lectures on piano pedagogy in Italy, baroque music and romantic music to piano teachers and to future teachers, with masterclasses. It was surprisingly easy for me to collect the material, organize it, prepare the PP in English and Chinese (at that time I didn’t know any Chinese, and I used the automatic translator and a double check with a mother tongue colleague), choose the right compositions, put significant part of their scores in the PP, and feel comfortable when I went to the piano to give examples by playing. I was more than happy to talk to that special audience, to answer their questions, to give masterclasses to their students, with the teachers attending the masterclasses too. 

It was clear to me that the pedagogy process I use when teaching mathematics was a great help to me, as well as the habit of preparing and giving mathematical lectures on my research. Talking to the audience and sharing my knowledge and background should have played an important additional role in my artistic career from that moment on.
When home, I decided to start giving lecture-concerts instead of “simple” concerts whenever possible.

In 2019 my debut CD on Franz Liszt “Les Harmonies de l’Esprit” was already released. It was recorded in September 2018, after almost one year of study, during which I developed an extreme care for the scores: of course, for dynamics, agogic, silence, but also for the idea behind the notes, for the composer’s will and life. Like a story-telling or like the proof of a theorem, in which any step is essential. Therefore, I’m ready to play a composition or to record it only when any part of the score is significant, and when I understood the meaning. Otherwise, how could I be interesting for my audience?
My interpretation follows a “research line” that for sure is influenced by my research in mathematics.

Remy Franck - Pizzicato (2021)

Souveräne Liszt-Interpretationen. Italian pianist Ingrid Carbone plays Liszt with a clear head, finely regulated dynamics, admirably colorful touch and plenty of poetic vision.The music is thus a very serious matter for her, requiring the utmost clarity and transparency in the tonal language, but she allows moods and changes of mood to flow in with great sensitivity. So, the well-shaped interpretations are neither sentimental nor undercooled, but of a remarkable emotional justness. The sound recording is clear and pleasant. 

Aart van der Wal - Opus Klassiek (2021)

That is not a question of ‘exactly as it should be’ (that would destroy the imagination after all!), but a completely successful search for the degree of freedom that gives this music new impulses. […] I have carefully assured myself, the score agrees with her.[…] This is no longer a question of just ‘playing beautifully’, but of interpreting from one’s own, carefully constructed musical vocabulary in conjunction with acquired knowledge and expertise. 

Glyn Purlsglove - Musicweb International (2020)

But it is certainly a very fine recording – among the very best new recordings of these works that I have heard in recent years. What is compelling about her performances, overall, is the way in which she balances the claims of melody and structure in her playing of these ten short, but pre-eminently mature, pieces. The very least one can – should – say is that Carbone is already a very accomplished pianist of real insight, […] her abilities are clearly not limited to the piano. At the age of 21 she graduated summa cum laude in Mathematics […] Carbone brings to her performances at the piano a mind which ranges beyond music.

PIANO WORK

MASTERCLASSES &

PIANO TEACHING LECTURES

MASTERCLASSES
  • National Music Conservatory, Amman, Jordan (2023) – click here to read more
  • Edward Said National Conservatory of Music, Ramallah branch, Birzeit University, West Bank (2023) – Masterclass – Invited by the National Consulate of Italy in Jerusalem – click here to read more
  • Edward Said National Conservatory of Music, Bethlehem branch, Birzeit University, West Bank (2023)- Masterclass – Invited by the National Consulate of Italy in Jerusalem – click here to read more
  • Edward Said National Conservatory of Music, Ramallah branch, Birzeit University, West Bank (2022) – Masterclass – Invited by the National Consulate of Italy in Jerusalem – click here to read more
  • Edward Said National Conservatory of Music, Bethlehem branch, Birzeit University, West Bank (2022)- Masterclass – Invited by the National Consulate of Italy in Jerusalem – click here to read more
  • University of Wuhan – Media College, China (2019) – Masterclass and Piano Lectures – Invited by prof. Xu Xiaolu – click here to read more
    check the university website
PIANO TEACHING LECTURES
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Ramallah, March 10, 2022

LECTURE-CONCERTS

MAIN LECTURE-CONCERTS
  • Al-Hussein Cultural Center, Amman, Jordan (2023) – Lecture-recital on Leoncavallo and Liszt – click here to read more
  • National Conservatory of Music Edward Said, Ramallah branch, Birzeit University, West Bank (2023) – Lecture-concert on Domenico Scarlatti and Ruggiero Leoncavallo – click here to read more
  • National Conservatory of Music Edward Said, Bethlehem branch, Birzeit University, West Bank (2023) – Lecture-concert on Domenico Scarlatti and Ruggiero Leoncavallo – click here to read more
  • National Conservatory of Music Edward Said, Ramallah branch, Birzeit University, West Bank (2022) – Lecture-concert on Franz Liszt’s Après une Lecture du Dante – Fantasia quasi Sonata – click here to read more
  • General Consulate of Italy and Dante Alighieri Society, Jerusalem, Israel (2022) – Lecture-concert on Franz Liszt’s Après une Lecture du Dante – Fantasia quasi Sonata
  • Karlsruhe Institute of Technology KIT, Bad Herrenalb, Germany (2021) – Lecture-concert on Liszt’s Légende n. 1: St. François d’Assise “La prédication aux oiseaux”, Les jeux d’eau à la Villa d’Este, Après une Lecture du Dante – Fantasia quasi Sonata
  • Istituto Fondazione Liszt, Bologna, Italy (2020) – Lecture-concert on Schubert’s Six Moments Musicaux op. 94 and Schubert-Liszt’s Erlkoenig and Gretchen am Spinnrade
  • Fondazione Roma3Orchestra, Università di Roma 3, Roma, Italy (2019) – Lecture-concert on Liszt’s Liebestraum n. 3, Légende n. 2: St. François de Paule “marchant sur les flots”, Après une Lecture du Dante – Fantasia quasi Sonata
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Cracow, December 7, 2019

CONCERTS

RECITALS
  • “David and Yoland Katz Faculty of the Arts”, Tel Aviv University, Tel Aviv, Israel (2019)
  • Krzysztof Penderecki Academy of Music in Kraków and Italian Institute of Culture, Cracow, Poland (2019)
  • Hungarian Academy of Sciences, Ceremonial Hall, Budapest, Hungary (2017)
  • University of Konstanz – Exhibition opening of “Women of Mathematics throughout Europe – A Gallery of Portraits”, Konstanz, Germany (2017)
  • Conservatorio Profesional de Musica – Gravina Museum of Fine Arts MUBAG, Alicante, Spain (2016)
  • Univerza v Ljubljani – Akademia za glasbo, Ljubljana, Slovenia (2016)
  • Technische Universität, Festsaal, Wien, Austria (2016)
WITH STRING ORCHESTRA
  • University of Calabria (Italy): Bach concertos BWV 1052 and BWV 1056 (2018)
  • Barletta (Italy): Bach concertos BWV 1052 and BWV 1056 (2018)
DUO (VIOLIN-PIANO)

With Eugenio Prete (2007-2015)

  • Perugia, Sala dei Notari (2017)
  • Barletta (2013)
CHARITY CONCERTS
  • “Note di pace per l’Ucraina”, foundraiser for Ukraina through the Red Cross (2022)
  • Streaming concert: foundariser for the “Niguarda Hospital” in Milan during the COVID-19 lockdown (2020)
  • Streaming concert: foundariser for the “San Francesco Hospital” in Paola (Italy) during the COVID-19 lockdown (2020)
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MAIN REVIEWS

The Jordan Times

Italian pianist Carbone holds lecture-recital at Al Hussein Cultural Centre.

The event was organised by the Italian embassy in Amman in cooperation with the National Music Conservatory, according to an embassy statement.

 

      RAI TG1 - Pi Day

      On the occasion of PI Day, upon the link between mathematics and music, the relationship with students, how to make lessons captivating.

          2023 TV - SKY ITALY - CLASSICA HD - Paolo Gavazzeni

          (Channel 136) “Mestiere Teatro”

              2023 PRESS - Rob Challinor

              Review for the CD “Ruggiero Leoncavallo (1857-1919) – Complete Works for Piano”

                2022 PRESS - Letizia Michielon

                ★★★★★ CD Review

                  2022 RADIO - Larisa Clempuş

                  “Piese pentru pian de Ruggiero Leoncavallo interpretate de Ingrid Carbone – CD Review”

                      2022 PRESS - Norbert Tischer

                      ★★★★ “Leoncavallos ganzes Klavierwerk”

                        2021 PRESS - Tokyo M-Plus

                        ベルマン門下の才女が奏でるリストのピアノ作品集!(trad: A selection of Lisztian compositions played by a talented pianist, student of Lazar Berman!)

                          2021 PRESS - Andrea Bedetti

                          “La sensualità della spiritualità in Liszt”

                           

                           

                            2020 PRESS - Ludwig Van Mechelen

                            ★★★★★ “Global Music Award voor Schubert door Ingrid Carbone die ook nog Liszt levert”

                                2020 PRESS - Anna Menichetti

                                “Franz Schubert – L’enchantement retrouvé” di Ingrid Carbone; Da Vinci Publishing”

                                 

                                    MAIN AWARDS&RECOGNITIONS

                                    2023 SILVER MEDAL LIVE PERFORMANCE - Global Music Awards

                                    For the live recording of Granadinas by Ruggiero Leoncavallo

                                    2023 SILVER MEDAL INSTRUMENTALIST - Global Music Awards

                                    For the live recording of Granadinas by Ruggiero Leoncavallo

                                    2023 NOMINATION - International Music Awards

                                    For the double CD “Ruggiero Leoncavallo: Pour Piano [Complete Piano Works]

                                    2022 NOMINATION - International Music Awards

                                    For the CD “Liszt: Le Sentiment de la Nature”

                                    2022 SILVER MEDAL INSTRUMENTALIST - Global Music Awards

                                    For the CD “Ruggiero Leoncavallo: Pour Piano [Complete Piano Works]”

                                    2022 SILVER MEDAL FROM OPERA TO PIANO - Global Music Awards

                                    For the CD “Ruggiero Leoncavallo: Pour Piano [Complete Piano Works]”

                                    2021 SILVER MEDAL - Global Music Awards

                                    For the CD “Franz Liszt: Le Sentiment de la Nature”

                                    2020 BRONZE MEDAL - Global Music Awards

                                    For the CD “Franz Schubert: L’Enchantement Retrouvé”

                                    2020 BRONZE MEDAL - Global Music Awards

                                    For the CD “Franz Liszt: Les Harmonies de l’Esprit – Sacred Piano Works”

                                    2020 BRONZE MEDAL - Global Music Awards

                                    For the live recording of “Franz Liszt: Consolation n. 2” on the occasion of the international photographic exhibition “Women of Mathematics throughout Europe – A Gallery of Portraits” (Konstanz – Germany)

                                    2017 PIANO SPECIAL MENTION - Ibla Foundation

                                    Piano Special Mention

                                    2017 SCARLATTI SPECIAL MENTION - Ibla Foundation

                                    Piano Special Mention

                                    DISCOGRAPHY

                                    Franz Liszt

                                    LES HARMONIES DE L’ESPRIT

                                    LISTEN, BUY, READ THE REVIEWS

                                    Franz Schubert

                                    L’ENCHANTEMENT RETROUVÉ

                                    LISTEN, BUY, READ THE REVIEWS

                                    Franz Liszt

                                    LE SENTIMENT DE LA NATURE

                                    LISTEN, BUY, READ THE REVIEWS

                                    Ruggiero Leoncavallo

                                    POUR PIANO [COMPLETE WORKS]

                                    LISTEN, BUY, READ THE REVIEWS

                                    Franz Liszt

                                    CONSOLAZIONE LEGGENDA INVOCAZIONE

                                    LISTEN, BUY, READ THE REVIEWS

                                    SKILLS

                                    TEACHING SKILLS
                                    • Piano lectures
                                    • Concert Lectures
                                    • Piano pedagogy
                                    • Technique for beginners, intermediate and advanced students 
                                    • Individual study programs 
                                    • Group/class projects
                                    • Annual and multi-year projects
                                    • Lesson plan development
                                    • Collaboration with other faculty members
                                    • Empathy with the students
                                    • Sensitivity for the personality of each student 
                                    • Willingness to share knowledge and background 
                                    • Impartiality and objectivity 
                                    • Creativity 
                                    • Interactive teaching
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                                    INTERPERSONAL SKILLS
                                    • Critical thinking
                                    • Ready to listen other’s opinion
                                    • Empathy 
                                    • Sensitivity 
                                    • Ease of communication 
                                    • Patience 
                                    • Punctuality
                                    • Caring
                                    • Reliability
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                                    MANAGEMENT SKILLS
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                                    LANGUAGES SKILLS
                                    • Italian: mothertongue
                                    • English: fluent C1
                                    • Russian: beginner A2
                                    • Portugese: beginner A2
                                    • Chinese: beginner A1

                                     

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                                    Ingrid Carbone, kid

                                    About my teachers

                                    During the ten years at the Conservatory of Music of my home town, Cosenza, I had the privilege to attend the classes of outstanding teachers. The value of all the training I was given revealed itself to me over the years, when I could play without any technical difficulty in any context, but especially when I started the study for recording my first CD in 2017 and when I gave piano lectures and masterclasses in China in 2019.

                                    My first teacher, Maria Laura Macario, allowed me to enter her class when I was only 9 years old, although she preferred older students. She had for me a very demanding schedule: she gave me a huge number of homework, that ranged from ‘600 to ‘900 (I still remember Frescobaldi, Schubert and Schoenberg), including a fundamental technique program. She wanted concrete improvements at each lesson. The standard she required was very high and I considered the idea to give up. Fortunately, I resisted. Her great legacy is the study method: it is the same I have always applied and I still apply.

                                    I was in her class for four years, till when she went back to Florence, her home town, and I entered (following her suggestion) the class of Flavio Meniconi, also from Florence and student of the same renowned piano teacher, Giorgio Sacchetti. Flavio Meniconi was demanding too, and the technique and the touch I learned from the first teacher helped me to face more and more difficult and challenging compositions, especially for the touch and the expression they required. When I was his student, I attended my first Summer School with the Italian pianist Sergio Cafaro at the Accademia Musicale Pescarese, in Italy. Flavio Meniconi chose for me beautiful compositions, with great care. I owe to him the love for Schubert and Liszt:  with him I studied the great Schubert Sonata in A major op. 42 D 845 and the majestic Liszt Funérailles. It cannot be a coincidence if two of my CDs are dedicated to Liszt and one to Schubert.
                                    I was his student for five years, till when he moved to Florence. During my tenth and last year of study I was followed by Francesco Monopoli.

                                    He encouraged me with the study of Composition and pushed me to go further, suggesting me to attend master courses and to apply for national and international competitions, such as the two-year international Master course I attended with the Argentinian pianist Hector Pell, ended with the Honour Diploma and a recital in the Red Hall of the Norman Castle of Barletta (Italy). Hector Pell lived in Rome: when I lived there, due to a two-year grant from the “Istituto Nazionale di Alta Matematica “F. Severi”, I went very often to his house for musical advices and discussions. At that time Francesco Monopoli stated that I was “his best student” and after more than 20 years, he made the same statement when we were assembled with all the jury of an international competition. He followed me over the years, and gave me the idea to study Bach concertos with string orchestra. I play these concertos with great pleasure and mastery, even if Bach concertos are the most difficult compositions I ever played.  I’m grateful to him. During the ten years at the Conservatory, I was also captured by chamber music (I played with a very promising student of violin who is now a professional) and opera. I can say that, when I left the Conservatory, I had a quite wide knowledge of Music.

                                    I went to Florence to attend a masterclass with Lazar Berman, who was living in Italy at that time. Berman was a deep source of inspiration for my Liszt.
                                    In the same period, I went to Rome twice a month to meet the Argentinian pianist and composer Eduardo Ogando, from whom I received advices on chamber music and musical analysis for several years. Duo violin-piano occupies an important part of my musical career, as afterwards I played duo for eight years.

                                    On the occasion of the 2016 edition of the worldwide competition IBLA Grand Price, I attended a masterclass with the Serbian pianist and composer Julija Bal. We worked on Domenico Scarlatti and Villa-Lobos, and the New York IBLA Foundation awarded me the Scarlatti Special Mention.

                                    I studied with Aquile delle Vigne for a long time: I went to his home in Brussels, I attended several masterclasses in Italy and two summer schools. I was part of his group during a Summer School at the Mozarteum of Salzburg, where I was selected to perform Three Fantasiestücke Op. 111 by Schumann during the final concert. I was in his group also at the TelHai International Piano Master Classes in Israel, where I attended another summer school with the Polish pianist Andrzej Pikul and received advices from the Israeli pianist Emanuel Krasovsky and the English pianist Ronan H’Ora. The faculties were “impressed” by my interpretation of some Schubert-Liszt transcriptions, especially Erlkönig. Aquiles delle Vigne suggested me to study the Liszt’s masterpieces Après une lecture du Dante: Fantasia quasi Sonata, Lègende n. 2: St. François de Paule: marchant sur les flots, Les jeux d’eau à la Villa d’Este, considered among the most beautiful and difficult of the piano repertoire. All these compositions are contained in my two Liszt CDs.

                                    But I must say that I owe a lot to Cristiano Burato. It was his pressure to start again with soloist repertoire after many years of duo violin-piano that persuaded me to take back my artistic career. Listening to my performance in duo with violin, he said that I had absolutely to dedicate myself to the soloist repertoire. During the several masterclasses I attended with him, I was overwhelmed by ideas, suggestions, advices I absorbed as a sponge, eager as I was to make up for lost time. He took care of my touch and my repertoire, focusing on compositions in which I could express my ideas and tools, and proposing me more and more difficult compositions: the Six Moments Musicaux op. 94, one of which goes back to my first year at the Conservatory of Music, and the Four Impromptus op. 90 by Schubert, recorded 2020, are his suggestions, as well as Consolations: Six Pensées Poétiques by Liszt, contained in my debut CD, and Vallée d’Obermann (contained in my second CD on Liszt).

                                    In conclusion, I think I learned from my teachers how to be a good teacher.

                                    CONTACT

                                    AFFILIATION

                                    University of Calabria

                                    86036 Arcavacata di Rende (Cosenza)

                                    Italy

                                    Tel. +39 0984 496425

                                    https://www.mat.unical.it/~icarbone/index.html

                                    ingrid.carbone@unical.it

                                    BOOKING & PRESS OFFICE

                                     

                                    MANAGEMENT CHINA AND JAPAN

                                    Rosario Scarpato

                                    email: skirpibj@gmail.com

                                    wechat: skirpi50bj